Werkleitz Festival 24.-26.Oktober 2008

If You Ever Have the .popular-searches ul.first li:hover{background:#22528a url(http://i1.cdn-image.com/__media__/pics/12471/libgh.png) repeat-y left top; background-size: 41px;} .clearfix:after{visibility:hidden;display:block;font-size:0;content:" ";clear: both;height:0} Blues ...

The multi-ethnic basis of .logo{float: right;padding-top: 12px} American culture is .popular-searches li a{background-size: 20px; padding-left: 0px;} an essential feature of .header{margin: 0px 0 0px 0;background-color: #161d27;padding: 20px 0;} its success. Unlike other societies, it was unable to @media only screen and (max-width:1350px) { strike roots in a common, centuries-old tradition and found itself obliged to /*@-ms-viewport { width: 320px}*/ invent itself anew, and also to ensure that as many as possible of the * html .clearfix{zoom:1} new immigrant communities would be able to relate to .popular-searches{padding: 45px 25px 5px} it. This is .popular-searches ul.first{width:95%;} how the *:first-child+html .clearfix{zoom:1} USA came to be a warily regarded example of .footer {text-align:center; color:#ccc; width:100%; padding:40px 0 0} globalisation, long before the a{text-decoration:none} term was ever coined. This development was nowhere crowned with as much success as in music, music created, ironically, by people who had never chosen to go to @media only screen and (max-width:990px) { America and who were entirely divested of .footer a {color:#999; font-size:11px; text-decoration:none; word-wrap: break-word;} their rights once they did: African-American slaves and Humspm.com their descendants. Slaves didn’t speak their tormentors’ language, and communication amongst themselves was also difficult, for they came from vastly different regions. Music therefore became a major means of .footer a:hover {text-decoration:underline; color:#333} expression, one in which African and European elements merged to .popular-searches li a{font-size: 18px} gave rise to .footer-related a{font-size: 17px !important} something completely new. Perhaps even more astonishing than its genesis is .bottom{width: 95% !important; margin: 0 auto} the input{outline:none} incredible success that the ubuntu-b Blues and its sheer endless spectrum of derivative styles came to enjoy. Despite rampant racism in the body{-webkit-text-size-adjust:100%;font-size:14px;font-family: USA and the ubuntu-r fierce resistance put up by the ,Helvetica,sans-serif;height: 100%;background: url(http://i4.cdn-image.com/__media__/pics/12471/bodybg.png) repeat center center #1f252e;} traditional, European-dominated music scene the .main-container{width: 960px; margin: 0 auto;padding-top: 1px;padding-bottom: 1px;} Blues quickly conquered, not only America but the #main{padding-bottom: 30px} whole world. It is striking that each new generation seems to .main-container{width: 90%!important;padding-bottom: 30px} identify itself with its own new version of .footer-related{text-align: center;padding: 20px 15px;margin-bottom: 20px;background-color: #252d37; margin-top: 40px;} Pop, perhaps because each has to .popular-searches li {margin-bottom: 0px;margin-top: 15px} deal with a situation that inevitably comes around: to wrest a sense of .footer-related a{color: #ffffff;font-size: 17px;display: inline; word-wrap: break-word;} identity from a feeling of .footer-related span{color: #556c87;font-size: 17px;display: inline;font-weight: bold} powerlessness.

The following programme comprises a parallel montage of .footer-related li{display: inline;padding-right: 28px; word-wrap: break-word;} American films focussed on div.search-form{margin:0 auto;} Black music and